The restored front parlor in 2022: the bay window with lace curtains, a round table, chairs and a red rug.

The Coley House Room 6 of 6 · The whole house, 2016–2022

Peeling Back the Layers

For thirty years the Coley House was shown as a Victorian home. Between 2016 and 2022 it was taken back to the 1940s, room by room, using evidence found in its own walls.

2016–2017 · The diagnosis

A house that tells its story in the details

Architectural Preservation Studio surveyed the house in the fall of 2016 and wrote a 267-page report. They found a rare building, “the only example of a Greek Revival, five-bay, gable-front façade in the region,” built in 1841 to impress anyone coming up the hill into Weston.

From the road it looked sound. Underneath, most of the original hand-hewn timbers had been eaten by termites, and the cellar was a patchwork of salvaged beams, “many generations of altering, shoring and patching by creative resident carpenters.” The Coleys were carpenters, and they had been rebuilding their own house for a century.

“The story of the David Dimon Coley House has been built into the fabric of the house and is one which can be told in the details.”

Architectural Preservation Studio, January 2017
The cellar ceiling: rough old beams, one badly decayed, with wiring and a bare bulb.
The cellar in 2016: a decayed beam above the light.

2018 · The plan

Why the 1940s?

Curator Betsy Fox asked Weston what it wanted. 246 members and neighbors answered a survey, residents and third-grade teachers met in focus groups, and Cleora Coley's nieces shared their memories and photographs of the house.

The answer was the war years, 1941–45, when three generations of Coleys lived here. It was, as the plan put it, a time of transition for the Coleys and for Weston: a farming town becoming a suburb. No other historic house in Connecticut shows that decade. The favorite idea in the survey? Sitting at the dining table to talk about Weston, which is now part of every tour.

The money

Where the $500,000 went

The Daniel E. Offutt III Charitable Trust gave $500,000, with Connecticut Humanities funding the planning and the 1772 Foundation also supporting the work. By the end of 2022, $432,617 had been spent.

Spending to the end of 2022
  • Interior restoration & design $197,758
  • Exterior restoration $143,176
  • Exhibits $56,710
  • Storing the collection $13,188
  • Signs $11,594
  • Structural report $10,192

2019–2022

Six years, two pandemic stops

  1. March 2019

    The collection leaves. Movers crated about four tons of furniture and objects, down to the mirrors and marble tabletops, and took them into storage so the work could begin.

  2. March to summer 2020

    “Everything came to a halt.” COVID stopped the work. The wallpaper being printed overseas, the parts for the air-conditioning and the plexiglass for the display cases were all back-ordered, and the planned opening that fall was lost.

  3. 3 March 2021

    The two stoves. In 2006 the Society had furnished the kitchen around an enormous 1911 Dangler gas range: two ovens, eight burners and three warming ovens. Lovely, but far too big for a farm family of four. The curators chose evidence over spectacle. Out went the Dangler, and in came a 1940s range, refrigerator and wringer washer from the Wethersfield Historical Society. While COVID delayed the pickup, the History Channel filmed them for The Food That Built America. “We will now be installing famous appliances!” wrote the Center's director.

    Movers easing the big cream-and-green Dangler range across a wooden floor under timber beams.
    Moving the 1911 Dangler, 3 March 2021.
  4. 17 June 2021

    Coming home. After 27 months in storage the collection came back, and the lawn filled with boxes.

    Stacks of moving boxes on the grass beside the Coley House's wooden ramp.
    The collection back on the lawn, June 2021.
  5. December 2021 to February 2022

    Omicron. Work stopped a second time.

  6. 30 September and 2 October 2022

    Open again. Supporters cut the ribbon on the front porch, and two days later the house opened to everyone with free tours. That same week the Weston Historical Society became the Weston History & Culture Center.

    A crowd of supporters on the front porch, smiling, as a red ribbon is cut.
    The ribbon cutting, 30 September 2022.
  7. 18 April 2023

    An Award of Merit. The Connecticut League of History Organizations honored the reinterpretation: “a true gem, reflecting excellent research, a wonderful balance of micro- and macro-histories, and a thoughtful and creative combination of exhibition and historic room interpretation.”

    The framed certificate: the Connecticut League of History Organizations presents the Weston History & Culture Center with an Award of Merit for Reinterpretation of the Coley House, 18 April 2023.
    The certificate, presented 18 April 2023.

2019–2021 · Wallpaper archaeology

Peel back the wallpaper

Samples scraped from the parlor walls held five layers of paper. Which one did the Coleys live with in the 1940s? Scrape your way down and find out.

  1. A sample of the 1992 paper: white garlands and baskets on a pale ground.

    Layer 1 · 1992 The paper on the parlor walls in 2016, hung by the Historical Society in 1992.

  2. A sample of the 1983 paper: a small mauve damask pattern.

    Layer 2 · about 1983 Cleora's last years in the house.

  3. A sample of the 1966 paper: a faint pink pattern.

    Layer 3 · about 1966 The paper in the family's photographs from the 1960s.

  4. The 1940s paper, pieced together: pale leaves and flowers on cream.

    Layer 4 · the 1940s The paper the Coleys lived with during the war. One more, older layer lies beneath it.

Drag across the wall to scrape it, or use the button.

Layer 4: two scraps of the 1940s

In 2019 the restorers searched “behind radiators, and under window moldings, behind light switch plates,” then carefully pulled the layers apart. Two small fragments of the fourth layer survived. Laid over a 1940s paper found in the house, they gave enough of the design to piece the whole pattern back together.

A torn scrap of cream wallpaper with a faint pale floral pattern. A second, smaller scrap of the same paper.
2019. The two fragments of layer 4.
The full 1940s pattern pieced together: pale leaves and flowers on a cream ground.
2019. The design, pieced together.
Rolls of new wallpaper unwrapped in their shipping box.
December 2020. The rolls arrive from a printer in Dublin, months late because of COVID.
A paperhanger on a stepladder papering the parlor beside a glazed door.
February 2021. The paper goes up in both parlors.
The finished wallpaper beside a white mantel: soft beige leaves and flowers.
The 1940s, back on the wall The new paper was digitally printed from the reconstructed design, 18 rolls for the parlors. The dining room and the front hall were papered with reproductions of other 1940s papers found in the house. Only one room kept its original paper: Jimmy's.

Before and after

Room by room

Drag the slider, or pick a year, to watch each room change. Photographs the Coley family took in the 1960s and '70s showed the restorers what the rooms had looked like, and the colors they had been.

The front parlor's bay window
The bay window in 2016, with Victorian furniture and heavy curtains.
2016 · shown as a Victorian parlor
The empty parlor in June 2020: bare walls and newly refinished floorboards.
June 2020 · stripped back
The bay window in March 2021 with the new wallpaper and the radio.
March 2021 · papered
The bay window in 2022 with lace curtains, a round table and chairs.
2022 · the 1940s

The kitchen
The kitchen around 1983 with deep blue walls, white cabinets and a gas stove.
About 1983 · the Coleys' blue
The kitchen in 2016, furnished as a 1920s kitchen with the big Dangler range.
2016 · a 1920s kitchen
An empty corner of the kitchen in February 2020, freshly painted deep blue.
February 2020 · blue again
The kitchen in 2022: blue walls, a white 1940s range and refrigerator, a farmhouse sink.
2022 · the 1940s

The deep blue the family chose came back. As the tour script puts it, comparing the family’s photographs with the room, “we were amazed at how little had changed.”

Cleora's office and sewing room
Cleora's roll-top desk in 1983, piled with papers.
1983 · Cleora's desk
The room in 2016, shown as a Victorian bedroom.
2016 · a Victorian bedroom
The empty room in February 2020, painted yellow.
2020 · empty
The room in 2022 with a slant-top desk, a treadle sewing machine and a dress on a form.
2022 · the 1940s

The dining room
The Coley family at dinner in the 1960s, with blue toile wallpaper behind them.
1960s · family dinner
The dining room in 2022 with a set table, blue rug and blue floral paper.
2022 · the 1940s

The sunroom
A flowering cactus in Cleora's sunroom, around 1980.
About 1980 · Granny Burr's cactus
The sunroom in 2022: shelves of African violets in the windows.
2022 · violets again

Cleora grew African violets here. A cutting of her mother’s cactus, seen here, still lives in the family today.

The parlor sofa
The carved sofa before restoration, its upholstery worn.
Before
The sofa seat stripped to a thick layer of dark horsehair over linen.
2020 · horsehair
The finished sofa in gold velvet.
After

Rebuilt in Vermont in 2020: new springs, then new horsehair worked over linen, then velvet.

The family hair wreath
The hair wreath before treatment: a stained, warped backing board.
Before
The hair wreath after treatment, on a clean new backing.
After

Harriet Coley made it from her relatives’ hair. A conservator cleaned and remounted it in 2022, and it hangs in the dining room today.

Clues in the fabric

What is this?

The architects found the house's history hiding in plain sight. Turn over all eight cards to earn your Clue Hunter card.

Turned over: 0 of 8

  • A silvered glass doorknob on a white door.

    A silvery doorknob

    The front door is believed to be the original of 1841, mercury-glass knob and all.

  • The front door under the porch ceiling, with a band of old moulding above it.

    A strip above the front door

    The roof of the house's first porch, as wide as the doorway, is still there, buried in the ceiling of the porch built before 1872.

  • An old fluted wooden column lying on the attic floorboards.

    Something in the attic

    A fluted wooden column, probably from that first little Greek Revival porch, still lying in the attic.

  • A plain white mantel around a blue-green panel instead of a fireplace.

    A fireplace with no fire

    A false mantel. The dining room was the 1841 kitchen, and its great hearth vanished when the center chimney came down about 1910.

  • Floorboards in the front hall where two runs of boards meet.

    A join in the floor

    A splice in the hall floor, probably where the old center chimney and its little winding stair once stood.

  • A two-panel door with marks of an older latch beside the new one.

    Scars on a door

    Two generations of latches. The architects counted at least four generations of door hardware in the house.

  • A small hatch in an outside wall of the house.

    A tiny door

    The milk door. Deliveries were left here and taken in from inside, without anyone opening the house.

  • A square of old patterned wallpaper framed on a plain painted wall.

    A square on the wall

    A 1940s paper that could not be taken down, framed where it was found in the upstairs exhibit room.

You're a Clue Hunter.

On your tour, ask your guide to open the door to the steep back stair in the dining room: one more clue you can only see in person.

Since opening

Finished since opening

In August 2021 the Center listed the jobs still to do once the main work was finished. All of them are now done.

  • Done: The upstairs bathroom, with its mid-century bamboo-and-butterfly paper
  • Done: The second-floor hall: old paper off, fresh paint on
  • Done: Security cameras outside, after windows were broken in July 2021
  • Done: Landscaping around the house
  • Done: The pathway from the patio
  • Done: The gate by the pathway

See it for real

Waiting for you in the house

  • The 1940s wallpaper, back on the parlor walls, and the restored horsehair sofa
  • The deep blue kitchen, the 1940s range from Wethersfield and the jars of peas a local artist sculpted from clay
  • The steep back stair your guide opens in the dining room
  • The square of 1940s paper framed upstairs where it was found

Guided tours Thursdays and the first and last Sundays of the month, at 1, 2 and 3 pm, and by appointment. $5 adults, $3 ages 5–17; under 5 and members free.

Plan your visit →

Help the house

Care for the house

Paint, sash, plaster and roof: an 1841 house needs care every year. 2025's repairs to the entry door, a storm window and upstairs plaster came to $3,800.